Showing posts with label Eric Drooker. Show all posts
Showing posts with label Eric Drooker. Show all posts

Howl Testing

A while back I was working in Beijing, and was asked to make a test for a feature film about Allen Ginsberg's poem "Howl." This was a film to be directed by Oscar winners, Rob Epstein, and Jeffrey Friedman. The look was to be based on the art of illustrator Eric Drooker, who had known Ginsberg personally... illustrating his book "Illuminated Poems."


Above: An early test for "Howl."
A big thanks to Eric Drooker, and Jeffrey Friedman for allowing me to post this test.

The background art in the test is actually from one of Eric's paintings, which has been broken down into layers in photoshop. The character design was intended to give the feel of German expressionist sculpture. The animation, though a bit clunky in the test, was enough to prove to the directors that animation would work in illustrating the poem, and this test would be used to help raise finances for the film.

Above: My design for the character. Inspired by German expressionists such as Oswald Herzog.

After a few years, and a few false starts the animation for "Howl" was created at The Monk studio in Bangkok. I would go on to art direct the animation for the film with Eric, and supervise the production in Bangkok. With John Hays serving as the animation director. While the final film would have more bells and whistles than this test. There is something about the simplicity of this that I still like.

Howl! At the Cartoon Art Museum

The Cartoon Art Museum in San Francisco will be putting on an exhibit featuring the art from the movie "Howl"  from May 14 – September 11, 2011  

Curated by Andrew Farago, Eric Drooker and Chris Lanier


I served as the animation art director, and animation production supervisor on "Howl." 



Above: A few colorscript panels from the movie by me, and the art team at "The Monk."

San Francisco, CA: Rob Epstein and Jeffrey Friedman's film, Howl, produced by Werc Werk Works, opened the 2010 Sundance Film Festival. Featuring James Franco as the beat poet Allen Ginsberg, the film took an experimental approach to documenting the creation and performance of Ginsberg's revolutionary poem, "Howl"– as well as the obscenity trial that followed when, after undercover policemen purchased copies of Howl and Other Poems from City Lights Bookstore, the state tried to suppress its publication. The film blends glimpses of Ginsberg's personal life, recreations of the obscenity trial, and animated sequences that accompany Franco's performance of the poem, riffing on its ideas and images.
The Art of Howl gives a revealing look behind the scenes at the creative process of turning poetry into animation. The film directors enlisted Eric Drooker to design the animation; Drooker, a graphic novelist and painter, was friends with Ginsberg and had collaborated with him on the book Illuminated Poems. John Hays, a San Francisco-based animation veteran, directed the sequences, which were animated by The Monk Studios in Thailand. -from comic art news



Above: A young Allen Ginsberg modeled at The Monk Studios, based on Eric Drooker's drawing. The museum exhibit will show the process used in making the animated portions of "Howl."


 Above: Backgrounds, and concepts for billboards by the art dept at "The Monk."

Howl Opens!



After opening the Sundance Film Festival in early 2010, "Howl" the film, is now finally getting a wider release!

The film is basically a drama centered on the obscenity trial Allen Ginsberg faced after the publication of his poem, Howl.

Starring James Franco as Ginsberg... The film was directed by Rob Epstein, Jeffrey Friedman... with animated sequences directed by John Hays. The animation design was inspired by ILLUMINATED POEMS by Allen Ginsberg and Eric Drooker.

I served as the animation art director, and animation production supervisor on "Howl" at the Monk Studios in Bangkok. "Howl" was an artistically and technically challenging project. The film had a tiny budget, and a tight schedule. It was fun to work on something so experimental though, and I think we made the most of it. I was also able to work with one of my childhood heroes, illustrator / art director Eric Drooker who provided numerous designs and inspirational illustrations for the project.