For this particular spot I was asked to push the color and lighting by adding subtle hints of yellow, purples and aquas not found in most Shaw spots. Even this subtle approach was a huge leap for the client... who in the end decided on a more muted version.
A number of people have asked me about my approach to color scripting. As you can see... it's very simple. Many designers get caught up in making beautiful art, and forget that it is the final film image that matters most. I've found that it's far better to put down a lot of quick loose ideas than spend a lot of time on a few highly rendered keys. Yes, there is a time for that too! But not in a rough color script. This method will give the client and director more to choose from... and increases the chance of getting something interesting on the screen.
PERSONAL NOTE: Most of this year has been spent balancing freelance, teaching, and a new son! Thus I've been unable to post as often as I would like. But thank you for checking in every once in a while for new updates and posts. - Cheers... tod
Amazing post, thanks for sharing.
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