Showing posts with label Jorge Guttierez. Show all posts
Showing posts with label Jorge Guttierez. Show all posts
Art Side of Life
Recently I was interviewed for the program Art Side of Life. In the interview I talk about some of my influences... as well as the ups and downs of my career thus far.
Book of Life: Parade Balloons 2
Above: Parade balloon concepts inspired by Mexican folk toys- for the animated feature "The Book of Life."
Book of Life: Entrance to the "Land of the Dead" 1
Above: Exploration for the entrance to "The Land of the Dead."
The LOTD, which would become "The Land of the Remembered" was a great place to explore. A place where almost anything could happen. I reckoned that gravity wouldn't act exactly the same way as it did on earth... so played with floating walk ways... upside down roads etc. This land was neither night nor day. There was no bottom or top to this world... it just kept going and going.
In the final movie, the hero comes through a much simpler door... something more parallel with the "Land of the Living." But a number of ideas made it into the overall treatment of the world.
More entrance ways to come.
The Book of Life: Travel Posters
Above: Maria dreamed of traveling the world... and plastered the walls of her room with travel posters. Several of us on the Book of Life design team contributed poster ideas. These are a few of mine.
Episode 14: Licito Color
By episode 14 of El Tigre we were over half way through the season. The color for the main locations of the show had been fairly well established... so I was able to focus more on parts of the story that were unique to the different episodes. For E 14 I wanted to play the cool exteriors off the warm interiors for maximum contrast. I wasn't allowed to change the character color over the course of the show... so I simply tipped in characters from the color model sheet to test how they would read on the backgrounds.
To see the rest of the El Tigre color scripts visit HERE!
Labels:
color scripts,
Dave Thomas,
El Tigre,
Jorge Guttierez,
Roman Laney,
Sandra Equihua
El TIGRE Color: Episode 013
A number of years ago I worked on a show called "El Tigre: The Adventures of Manny Rivera" created by the multi-award winning husband and wife team of Jorge Gutierrez and Sandra Equihua. My main job on the show was creating the color scripts that would help guide the art team.
Though all the episodes of "El Tigre" have a similar feel... I tried to give each episode a unique pass of color that would describe the story and emotions of the characters. Often I would give a "straight" color treatment that I thought would fit the story well... then try another pass of something a bit different. That was the case of episode 013.



This episode was in fact one of the most difficult to design... just for the reason that there were LOTS of characters. I was very fortunate to have directors that were willing to let me experiment. Most of the time these experiments lead to interesting ideas... and other times... well ... looking back I often wonder what I was thinking about. :)
At the time of this post I am working with "El Tigre" creators Jorge and Sandra (as well as "El Tigre" art director Roman Laney) on Jorge's feature film "The Book of Life." It's been a joy... and we are getting to do a lot of the things that weren't possible in TV.
To see more of my color scripts from El Tigre... please go HERE!
El Tigre! The Adventures Of Manny Rivera
-A while back, my good friends, Jorge Gutierrez, and Sandra Equihua asked me to help them develop the look and color styling of their new t.v. show idea, "El Tigre". Working under the guidance of Jorge, and art director, Roman Laney. I started with rough sketches of the various locations that would be used in the pilot episode.

Above: A few early exploratory sketches from "El Tigre!"
Most of my early sketches were close in value, with little or no black in the backgrounds. There was a lot of black on the characters, and I wanted them to read well. But this gave a sort of calm feeling, and Jorge wanted everything in the show to be "Super Macho!"... having more contrast, more texture, more of everything. It made designing a bit more difficult, but also gave the intensity Jorge wanted. A lot of the art styling was worked out in the pilot by Roman. By the time "El Tigre" had been picked up as a series... the look had been fully established.
Above: Art director, Roman Laney, and his team took a lot of the development art, and created a beautiful, and unique look for "El Tigre". Check out Roman's website to see more amazing art from the show.
Above: A visual structure chart for one of the episodes.
I was working overseas, away from the rest of the team, so it was essential that I knew what Jorge, Roman, and Director Dave Thomas wanted for each episode. We were under such tight deadlines that there really wasn't much wiggle room for exploration. You will notice, that all the art follows the story Arc in the visual structure. We set up themes early in the show... and then generally kept them throughout all the episodes. For example, high contrast for exciting segments, low contrast for duller moments. We also used color themes throughout the show. Evil was often symbolized by using black and red, (or the main color of the villian) and El Tigre with green.With so many episodes going on at the same time... it was important that everyone was on the same page.






Above: A small sampling of my color scripts from the show.
My pal, Dave Thomas' storyboards were the blueprint for everything I did. Dave is a real master of timing, and staging. He and Jorge had worked everything out to make the rest of the teams work as easy as possible. I would usually do a first pass on the color script based on Dave's beat boards, and sometimes keys from Roman. Then Roman, Jorge and I would talk about it... after which I would make my adjustments. From the color scripts, the rest of the team would have a feel for lighting, mood, color.
A fan video... cut together from various episodes.
As in most of the projects I am involved with, "El Tigre" was a collaboration of friends, who also happen to be some of the most talented people I know. I was saddened when I learned that "El Tigre" had been canceled. Not only is it one of the best projects I have ever worked on... it is one of my favorite shows to watch.
Thank you Sandra, and Jorge for making a place for me. -tod

Above: A few early exploratory sketches from "El Tigre!"Most of my early sketches were close in value, with little or no black in the backgrounds. There was a lot of black on the characters, and I wanted them to read well. But this gave a sort of calm feeling, and Jorge wanted everything in the show to be "Super Macho!"... having more contrast, more texture, more of everything. It made designing a bit more difficult, but also gave the intensity Jorge wanted. A lot of the art styling was worked out in the pilot by Roman. By the time "El Tigre" had been picked up as a series... the look had been fully established.
Above: Art director, Roman Laney, and his team took a lot of the development art, and created a beautiful, and unique look for "El Tigre". Check out Roman's website to see more amazing art from the show.
Above: A visual structure chart for one of the episodes.I was working overseas, away from the rest of the team, so it was essential that I knew what Jorge, Roman, and Director Dave Thomas wanted for each episode. We were under such tight deadlines that there really wasn't much wiggle room for exploration. You will notice, that all the art follows the story Arc in the visual structure. We set up themes early in the show... and then generally kept them throughout all the episodes. For example, high contrast for exciting segments, low contrast for duller moments. We also used color themes throughout the show. Evil was often symbolized by using black and red, (or the main color of the villian) and El Tigre with green.With so many episodes going on at the same time... it was important that everyone was on the same page.





Above: A small sampling of my color scripts from the show.
My pal, Dave Thomas' storyboards were the blueprint for everything I did. Dave is a real master of timing, and staging. He and Jorge had worked everything out to make the rest of the teams work as easy as possible. I would usually do a first pass on the color script based on Dave's beat boards, and sometimes keys from Roman. Then Roman, Jorge and I would talk about it... after which I would make my adjustments. From the color scripts, the rest of the team would have a feel for lighting, mood, color.
A fan video... cut together from various episodes.
As in most of the projects I am involved with, "El Tigre" was a collaboration of friends, who also happen to be some of the most talented people I know. I was saddened when I learned that "El Tigre" had been canceled. Not only is it one of the best projects I have ever worked on... it is one of my favorite shows to watch.
Thank you Sandra, and Jorge for making a place for me. -tod
Labels:
Dave Thomas,
El Tigre,
Jorge Guttierez,
Roman Laney,
Sandra Equihua,
Tod Polson
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